JUAN OF THE DEAD (2011)
JUAN OF THE DEAD (2011)
Movie Review by L.L. Soares
In 2004, SHAUN OF THE DEAD gave us a horror comedy that hit all the right notes. Edgar Wright, Simon Pegg and Nick Frost gave us a “dead on” comedy firmly planted in the world of the zombies created by George A. Romero in such classic films as NIGHT OF THE LIVING DEAD (1968), DAWN OF THE DEAD (1978), and DAY OF THE DEAD (1985). The reason why it was so brilliant is because it was so well-versed in the world Romero created and played off that smartly.
SHAUN opened the floodgates for other zombie comedies. Some of them have been pretty forgettable, others like 2009’s ZOMBIELAND, have given us clever riffs on similar material. And now, along comes JUAN OF THE DEAD (aka JUAN DE LOS MUERTOS), a zombie comedy that comes from (and is set in) modern day Cuba. How does it stack up to its predecessors? Quite well, actually.
Directed by Alejandro Brugues, JUAN OF THE DEAD begins with Juan (Alexis Diaz de Villegas) and his buddy Lazaro (Jorge Molina) floating on a raft, fishing. They catch a strange-looking fish that turns out to be a dead body. But it suddenly lifts its horrific head and tries to bite them! Lazaro shoots a harpoon through its skull, and the friends agree to keep this a secret.
But not long afterward, they find themselves in the middle of a full-blown zombie infestation in Havana!
As zombies fill the streets, Juan and Lazaro decide it’s time to take a stand—they start a service where they hire themselves out to kill zombies. They are joined by Lazaro’s son, Vladi California (Andros Perugorria), a young hippie lady’s man, as well as a transvestite named La China (Jazz Vila) and her hulking boyfriend, El Primo (Eliecer Ramirez). They all have their special weapons: Juan uses paddles from his raft, Lazaro has machetes, El China has a slingshot and El Primo uses his fists—and, because he faints at the sight of blood—El China blindfolds him and has to lead him around.
There’s also Juan’s daughter, Camila (Andrea Duro) who is visiting from Miami where she lives with her mother. She hasn’t seen Juan in years and picks the worst possible time to come visiting. Of course, as the movie progresses, we find out that Camila, who Juan is always trying to protect, is as tough as he is.
The name of their enterprise becomes “Juan of the Dead” quite by accident (it’s the way Vladi answers their ancient-looking telephone the first time they get a job). They are soon being hired to go to rich people’s houses to exterminate their loved ones, and hotels to get rid of occupants who are no longer breathing.
There are lots of scenes of Juan and his friends getting in bloody brawls with zombies, so there’s lots of gore. They also meet some interesting characters along the way, including a gun-toting preacher who only speaks English (albeit with a thick Cuban accent) and who no one else can communicate with (they only know Spanish). And, at one point, the gang is apprehended by soldiers who order them to take their clothes off and they are chained together in the back of a transport vehicle. Unfortunately, one of the other prisoners turns out to be a zombie, which leads to chaos.
The movie has its share of laughs. One scene came toward the end involves Lazaro telling Juan he has been bitten by a zombie and won’t make it to morning. It sounds pretty intense, but it turns out to be pretty funny.
It’s also interesting to get to see Havana, which was obviously a beautiful city once, but is now rundown and crumbling. We don’t get to see real Cuban locales on film very often, but I hope JUAN OF THE DEAD won’t be the last movie we get from Cuba anytime soon.
It’s a good cast, and Alexis Diaz de Villegas has a lot of heart in the lead role. While I didn’t think it was as funny as SHAUN OF THE DEAD, I thought it was a fresh take on the whole zombie apocalypse thing, and it’s worth checking out.
I give JUAN OF THE DEAD ~ three knives.
© Copyright 2012 by L.L. Soares
LL Soares gives JUAN OF THE DEAD ~three knives.