THE BAY (2012)
Movie Review by L.L. Soares
This one sounded interesting to me. A “found footage” horror movie by Barry Levinson, the director who gave us such memorable films through the years as DINER (1982), THE NATURAL (1984), RAIN MAN (1988), BUGSY (1991), SLEEPERS (1996) , WAG THE DOG (1997) and lots more. That’s one hell of a resume.
And I’ve actually enjoyed most of the “found footage” movies that have been coming out lately, even though the genre gets a bad rap. I was definitely interested in seeing what Levinson would do with the concept.
THE BAY (2012) got a limited release in a few cities across the country, and is also currently on cable OnDemand. Watching this movie, I found myself wondering why it didn’t get a wider release.
The “bay” in question here is Chesapeake Bay, which I read is “the largest estuary in the United States” surrounded by Maryland and Virginia. The movie THE BAY takes place mostly in a small town called Claridge, Maryland. It relies mostly on tourism for its income. But there are also lots of chicken farms in the area, made possible thanks to a big desalination plant that makes enough water available to support the industry. But there’s the problem of animal waste and rumors that there might have been a nuclear waste leak years back, or so the movie tells us. And that chicken waste has a lot of chemicals in it like steroids and other stuff to increase the birds’ growth and meat production.
It’s the Fourth of July, and there’s a big celebration in Claridge, including a crab-eating contest and sailing and fireworks. But this year, something goes wrong. People start getting sick. They starts to erupt with boils and throw up blood, and develop wounds that look as if their flesh is being eaten away from the inside. People start to panic, and bodies start piling up in the streets.
What is causing this pandemic? We have clues as to the conditions that bred such a disease, but the actual culprit might surprise you.
Meanwhile, the movie is made up of footage that was being suppressed. A chunk of it is from the point of view of Donna Thompson (Kether Donohue), a young news reporter who got her “big break” that Fourth of July, when she thought she was just covering another small town holiday, but instead stumbled on something horrible. She just wants to get this footage out to the world before it happens again.
Not all of the footage is of Donna and what she witnesses, however. There’s also video of two researchers who were testing the bay’s toxicity; a family (wife, husband and baby) who film themselves taking their boat to Claridge to meet the wife’s parents; and footage of Dr. Jack Abrams (Stephen Kunken), who first sees an emergency room waiting area with about 30 people who are infected with strange symptoms. Then he sees that number rise to 60 people, and more and more. His frantic Skypes to the Center for Disease Control don’t seem to be taken seriously at first, and by the time the authorities start to worry, it’s clear they want to cover this up and avoid a mass panic. We also see a few Claridge police officers making their rounds in COPS-like footage, and we see a girl on Facebook making videos, unable to get help, and afraid she might die alone. As the movie progresses, the symptoms of the people infected get more gory and disturbing.
Somehow, all this various footage meshes well together, and tells a compelling story about a horrible flesh-eating disease, and puts a human face on that disease.
Levinson does a fine job with the material. No matter how much I want to get sick of the found footage genre, movies like this pop up that keep it viable. I was pretty riveted throughout, wondering what was behind all this, and if it could be stopped in time. Levinson does a great job here building suspense. And the performances help him to sell the story. The acting here is all very good and the people are believable.
There has been some hype about the fact that Oren Peli is one of the producers. He’s the guy who gave us the PARANORMAL ACTIVITY franchise and the short-lived ABC series THE RIVER. And sure, Peli is the king of this kind of stuff. But THE BAY stands or falls on the work of a director named Barry Levinson, and while it might seem that he’s working with material that is beneath him, he pulls it off really well.
I enjoyed this movie, and it kept me glued to the screen throughout. I give it three knives.
© Copyright 2012 by L.L. Soares
LL Soares gives THE BAY ~three knives.