Archive for the Tom Cruise Movies Category

OBLIVION (2013)

Posted in 2013, Action Movies, Aliens, Apocalyptic Films, Based on Comic Book, Blockbusters, CGI, Cinema Knife Fights, Clones!, Dystopian Futures, Science Fiction, Special Effects, Tom Cruise Movies with tags , , , , , , , on April 22, 2013 by knifefighter

CINEMA KNIFE FIGHT:  OBLIVION (2013)
by Michael Arruda & L.L. Soares

Oblivion poster

(THE SCENE: A spaceship high above Earth in the future.  MICHAEL ARRUDA & L.L. SOARES sit at the controls.)

MICHAEL ARRUDA:  Shouldn’t one of us be down on the planet’s surface fixing drones?

L.L. SOARES:  No.  We both should be up here reviewing today’s movie.

MA:  Good point.  Shall I begin?

LS:  Sure. I’m going to check out the swimming pool out back, to see if there are any nude female assistants swimming about.  That was one of the highlights of OBLIVION!

MA:  No, you’re going to sit right there and review today’s movie with me.  Although I do agree with you, about that scene being a highlight.

LS:  As usual, you’re no fun.

MA:  Anyway, today we’re reviewing OBLIVION (2013) the new science fiction movie starring Tom Cruise.

OBLIVION isn’t exactly the most emotional movie you’ll ever see.  Its interior sets are dominated by one color, white.  As such, the film presents an almost sterile environment.  Likewise, it evokes about as much emotion as a sterilized white room.

In the future, Earth has been attacked by aliens.  Humanity won the war, but lost the planet, because in order to defeat the aliens, we used nuclear weapons, in effect making Earth uninhabitable for life any longer. Now, in 2070, humans live on Titan, Saturn’s moon.

LS: I didn’t realize Titan had an Earth-like atmosphere. Why the hell did they choose that as the new home for mankind?

MA:  Beats me.  Plus it’s not exactly in our backyard.  The trip would take several years.  Can you imagine the kids in the back seat?  Are we there yet?

Jack Harper (Tom Cruise) remains on Earth, working with a young woman named Victoria (Andrea Riseborough). Their job is to repair the drones that are defending the planet against the remaining aliens, known as “Scavs.”  They report to their commander Sally (Melissa Leo) who’s stationed in the space station above them known as the Tet.

(C3PO and R2D2 from the STAR WARS films, enter the cockpit)

CP30: Excuse me, gentlemen, did you say “droids?”

LS: No, he said “drones.”

C3P0: See R2D2, I told you you were mistaken.

(R2D2 beeps and whistles)

MA: What did he say?

C3P0: He said that OBLIVION sounds rather dumb. And I must say, its lack of droids is quite suspicious.

LS: I agree.

(R2D2 beeps again.)

MA:  Now what did he say?

C3PO:  He said he’s bored and he can’t wait to piss off more Stormtroopers in the upcoming STAR WARS movie.

(R2D2 beeps some more.)

C3PO:  No, R2, I don’t think these gentlemen know if there are any Stormtroopers in the area.

MA:  No, but there’s some drones down there on the planet you two could annoy.

C3PO:  Oh, splendid!  Let’s go, R2.  (The two droids exit.)

MA:  Back to our review.

All is well, except that Jack is haunted by images, perhaps memories, of a mysterious young woman whose identity he can’t remember.  Later, he finds this woman asleep in a kind of metallic coffin which has arrived on Earth from a spaceship called the Odyssey. He awakens the woman, and she reveals to him that she’s his wife Julia (Olga Kurylenko).  She tells him that his memory has been erased, opening the door for some dramatic revelations and plot twists.

Jack is later captured by some remaining humans, who are living underground. Needless to say, they aren’t supposed to be there. Their leader, Beech (Morgan Freeman) asks for Jack’s help in defeating the true enemies of Earth.  Jack then has to decide who to believe, who to fight for, and where the truth lies, but since he’s being played by Tom Cruise, there’s little doubt whether or not Jack will make the right decisions.

I can’t say that I really liked OBLIVION.  I never really got into its story, which wasn’t all that interesting.  I also wasn’t crazy about the characters..

The “aliens” are boring.  We never really see them.  The real menace in this one is Sally, and as played by Melissa Leo, she’s nothing more than a face and a stern voice on a video monitor.

LS: Yeah, that was major problem with OBLIVION. I thought it looked great, with the flying machines and drones. But to what end? I didn’t really care about these characters all that much. There are a couple of scenes that show us Jack’s humanity, the most obvious one being scenes at a cabin he made in the mountains, by a lake. It’s his one sanctuary from the world around him, and it’s a potent image. But otherwise, there’s not a lot about OBLIVION that has any emotional value.

 (The robot from the 1960s series LOST IN SPACE enters the cockpit)

ROBOT: Warning! Warning! We are entering the planet’s atmosphere!

MA: I thought you turned off the engines.

LS: You didn’t tell me to do that. It’s been on autopilot.

ROBOT: Warning! We have entered Earth’s atmosphere.

LS: So what? We have to land sometime.

ROBOT: This does not compute.

LS: Be quiet you bumbling bucket of bolts!

MA: You’re starting to sound an awful lot like Dr. Smith.

LS: Why thank you!

ROBOT: Humans. I will never understand them.

(ROBOT leaves the cockpit)

MA: Are you sure entering landing on Earth is a good idea?

LS: Why not? (looks out the window) Ah, home sweet home.

MA: Ahem. Time to get back to our review.

Tom Cruise is fine as Jack, but he was better as Jack Reacher in JACK REACHER (2012), as that character was more fully developed.  Jack in this movie is just your average standard hero.  I didn’t buy into his mission on Earth, nor was I all that intrigued by his love story with Julia.

LS: Oh yeah, JACK REACHER was a much better movie, and probably made at a fraction of the budget. No fancy special effects in that one.

MA: I did like Andrea Riseborough as Victoria. There was something very sexy about her in a quirky, offbeat way, but she’s not the main character in this one.  That would be Olga Kurylenko as Julia, who I didn’t enjoy as much.

LS: I liked both women, but I agree that Victoria gets short shrift. My main problem is that Jack and Victoria seem to have real feelings for each other, but when Julia shows up, Jack pretty forgets all about his feelings for Vicky.

MA:  I definitely agree with that point.  I really had the impression that Jack had genuine feelings towards Victoria, and so I agree with you it played out as strange that he simply forgets about her.  I expected some angst on his part, some tension, perhaps a love triangle, but as I said before, this movie’s too sterile for that.

LS:  Yeah, a love triangle would have been more realistic, and would have provided a bit of drama to the stale proceedings here. Sure, Victoria is uptight, is afraid to break the rules, and is an all-around stick in the mud a lot of the time-hey, she sounds a lot like Michael Arruda!

MA:  Hey!  I resemble that remark!

LS:  —but we’re led to believe they have a strong bond, and it’s not believable that Jack would be able to just sever that without a second thought. It would have made more sense if he had a real conflict about which woman he wanted. Instead, he doesn’t seem to have any trouble making a choice when this new woman shows up. Sure, he has had dreams about her before he meets her. But I just didn’t like how Victoria was tossed aside so easily.

MA:  I agree.

Oblivion poster #2

LS: By the way, Olga Kurylenko who plays Julia was previously in movies like SEVEN PSYCHOPATHS (2012), Neil Marshall’s underrated CENTURION (2010) and was even a Bond Girl—she was Camille in 2008’s QUANTAM OF SOLACE.

MA: Meanwhile, Morgan Freeman is Morgan Freeman.  He’s fine, but he doesn’t do anything here we haven’t seen him do before.

LS: I’m not sure what I feel about Morgan Freeman at this point. When there’s the big scene where he reveals himself for the first time, I felt it was almost—laughable. Like he was doing a parody of himself. But the thing is, his role in OBLIVION isn’t funny. Maybe he’s just played so many roles like this that I just can’t take him seriously anymore. He can’t be a convincing character—you just think of him as “Hey, it’s Morgan Freeman.”

MA:  Maybe he should just stick to narrating.

LS:  I liked the women in this one, and I liked Nikolaj Coster-Waldau as Sykes, another leader of the human rebels on earth (kind of Morgan Freeman’s right hand man). Most people may recognize Coster-Waldau as Jaime Lannister in the great HBO series GAME OF THRONES. But while I liked seeing him in the OBLIVION, he really isn’t given very much to do.

MA: I thought the visuals and special effects were just okay.  They didn’t wow me.  Neither did any of the battle scenes. I thought it was pretty  ho hum throughout, and in this day and age, where movies can look so good visually, I thought OBLIVION was just average.  There weren’t any memorable images to go along with this one either.  The movie had its chances, with various images of Earth after the nuclear holocaust, but few if any of these images resonated with me.  There’s only so many times you can see the Washington Monument or the Empire State Building looking beaten and dilapidated and feel something, especially when these scenes don’t look all that real.

LS: I thought the machines and high-tech contraptions looks convincing enough. I thought they were all well done. But I didn’t felt “wowed” either. There’s just something about OBLIVION that wasn’t very exciting. And you’re right about the battle scenes. They were kind of boring. The first time we see Jack confront a drone, it’s kind of interesting. But after a while, they just become tedious.

MA: The screenplay by director Joseph Kosinski, Karl Gajdusek, and Michael Arndt did little for me as well.  It’s based on a comic book by Kosinski and Arvid Nelson.

LS: It’s called a graphic novel.

MA: Comic book, graphic novel. What’s the difference?

LS (shrugs): Beats me.

MA:  I thought the story was confusing at times, but worse than that, it didn’t win me over emotionally.  I cared little about these folks, mostly because they themselves didn’t seem to care much about what was going on.  I also didn’t find that Cruise and Kurylenko shared much chemistry, which didn’t help the love story.  I thought Cruise shared more onscreen chemistry with Riseborough, but they’re not the main love focus here.

LS: I didn’t find the story very satisfying, either. And while I am not as down on Kurylenko as you, I do think Cruise had better chemistry with Riseborough, too. I just found OBLIVION to be kind of bland and sanitized and despite its various plot twists, it seemed like something we had seen before.

MA: Director Kosinski also directed TRON:  LEGACY (2010), and I would say both films score about the same in the quality department. Neither one wowed me.

LS: I didn’t see TRON-LEGACY, so I don’t know if I’d agree with you. But I’ll take your word for it.

One thing that did interest me a little was the movie’s soundtrack. Kosinski has been making some interesting music choices in his films. In TRON: LEGACY, the soundtrack was done by French electronic group Daft Punk. This time around, OBLIVION was scored by another band I like, M83. Truth be told, however, I wasn’t really all that aware of the soundtrack while I was watching OBLIVION, maybe because I was kind of bored a lot of the time. I am curious to see if I listened to the soundtrack without the visuals if I would have enjoyed it more.

MA: OBLIVION is also nowhere near as ambitious in theme or scope as last year’s science fiction hit PROMETHEUS (2012) but the results are about the same, mixed.

LS: I don’t know. I thought PROMETHEUS was a little disappointing, but I thought it was much better than OBLIVION.

MA: I feel a chill in here, and that’s because I never warmed up to OBLIVION.  It was cold and emotionally detached throughout.

I give it two knives.

LS: I’m pretty much in agreement with you on all counts here. I give OBLIVION two knives as well. I thought it looked great, but it had no soul. Nothing meaty to grab onto.

(The DROIDS and ROBOT have returned)

C3P0:   Excuse me, gentlemen, but how do you get off this ship?

(R2D2 beeps and whistles.)

C3PO (pointing out window):  Look, there are those pesky drones come to attack us.

MA: I told you it was a bad idea to land here. Didn’t you learn anything from OBLIVION?

LIS ROBOT: Warning! Warning!

LS: So long, fellas.

(LS pushes a button that ejects the section of the craft where MA and LS are)

MA: I hope they know how to fly the ship without us.

(There is the sound of drone fire and an enormous explosion)

LS: Oops,

-END-

© Copyright 2013 by Michael Arruda and L.L. Soares

Michael Arruda gives OBLIVION ~ two knives!

LL Soares gives OBLIVION ~two knives, as well.

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JACK REACHER (2012)

Posted in 2012, Action Movies, Cinema Knife Fights, Conspiracy Theories, Crime Films, Fast Cars, Hit Men, Martial Arts, Revenge!, Rogue Cops, Tom Cruise Movies with tags , , , , , , , on December 24, 2012 by knifefighter

CINEMA KNIFE FIGHT: JACK REACHER (2012)
By Michael Arruda and L.L. Soares

jack-reacher(THE SCENE: A Shooting range. Strangely no one is there shooting.  All is silent.  MICHAEL ARRUDA & L.L. SOARES approach.)

MICHAEL ARRUDA:  Today’s movie, JACK REACHER, has as its villain a sniper who shoots some innocent people in a rather jarring opening scene.

L.L. SOARES:  In light of the recent horrific events in Newtown, Connecticut, we’re just not in the mood to joke about this stuff.

MA:  That being said, our somber mood doesn’t in any way detract from our feelings towards this movie, one way or the other.

LS:  Nor do we believe such movies cause people to commit violent acts.

MA:  We both have seen our share of ridiculously violent movies, and we, like you, readers, take them for what they are: fiction, not reality.

LS:  Anyway, moving right along, hello everyone, and welcome to this week’s Cinema Knife Fight review. This time around we’re reviewing the new movie JACK REACHER, starring Tom Cruise.

MA: I’m not a Tom Cruise fan, so I wasn’t really looking forward to this one.

LS: You mean a new Tom Cruise movie isn’t a big event in the Arruda household?

MA:  Nope.

LS: So, does that mean you hated JACK REACHER?

MA:  You know me better than that.  You know I have an open mind.

LS:  You have a mind?

MA:  I have a mind to throw a cream pie in your face!

LS:  Yummy!

MA:  Anyway, why don’t you tell everyone what this movie is about first?

LS: Sure.

JACK REACHER is a character who has appeared in numerous novels by writer Lee Child (real name Jim Grant). This particular movie is based on Child’s novel ONE SHOT.

As the movie opens, we see a man in a multi-level parking garage aiming a sniper rifle. He looks around at various people in a park before he starts firing on them, killing five people. The police are able to track down a suspect and arrest James Barr (Joseph Sikora), who is back home after a stint in the Army in Afghanistan. When he is being interrogated by the police, he writes down “Get Jack Reacher,” but the police cannot find this man, since he lives off the grid and does not have a permanent address, or anything else that leads back to him. Reacher (Tom Cruise) sees Barr’s face on the news, however, and goes to the police station to investigate. The police, who have been unable to find Reacher, are surprised when he shows up on his own.

Reacher is a former military policeman, and at first, it’s not clear why Barr asked for him. Everyone assumes that Reacher is his friend, but Jack denies this. He discusses the case with the arresting officer, Emerson (David Oyelowo) and the District Attorney, Alex Rodin (Richard Jenkins, who we recently saw previously this year in THE CABIN IN THE WOODS and KILLING THEM SOFTLY), who is prosecuting Barr, but when they are not willing to involve Reacher in their investigation (they only give him a limited number of facts), he says he is leaving town. What stops him is Rodin’s daughter Helen (Rosamund Pike) who is also a lawyer like her father, but she is defending Barr.

Reacher reveals that, in the Army, he tracked some murders down to Barr, but Barr was able to avoid being imprisoned. However, Barr is afraid of Reacher and swore to the man at the time of his arrest back then that he would never do anything like that again. It turns out that Barr asked for Reacher’s involvement because things may not be as they seem in this particular case. And if anyone can uncover the truth, it’s an investigative pit bull like Reacher. Jack works with Helen Rodin to find the truth, both for Reacher’s peace of mind, and for Helen to be able to defend Barr in court.

The more Reacher snoops around, the more it becomes clear that someone doesn’t want him sticking his nose in the investigation. Things are done to get Reacher to drop the case, but he isn’t so easy to get rid of. The storyline eventually involves a long, high-speed car chase, and a bloody showdown at a construction site.

Just what is Barr’s involvement in this case? Who is trying to eliminate Reacher? And who can he trust? These are just some of the questions that pop up during the course of JACK REACHER.

 jack_reacher,4

I have to admit, I wasn’t sure what to expect with this one. Based on the trailers, I thought it was a movie where Cruise would be playing an unstoppable killing machine, like he did in the movie COLLATERAL (2004), where he played a merciless hit man. But JACK REACHER was different than the way the trailers made him look.

MA:  Yes, the movie did play out differently from what was hinted at in the trailers, which for me, was a good thing. I expected a DIRTY HARRY clone, a glossy and superficial storyline with Cruise smart-assing his way through the script, but that’s not what JACK REACHER is at all.  Fortunately, it’s better than that.

LS:  Instead of playing an over-the-top vigilante, Cruise is rather low-key as Reacher, keeping things intense throughout. You’re never exactly sure what Reacher’s limits are, and if he is willing to cross certain moral and legal lines to achieve his goals. While reminiscent of Clint Eastwood’s iconic Dirty Harry character, Reacher is more complex, and it’s interesting to see Cruise bring the character to life.

In the books, Reacher is six foot five and about 250 pounds. He’s an intimidating character. Obviously, Tom Cruise does not share the same dimensions, and yet, he’s able to make it work. You believe he is a driven, formidable individual who is not to be messed with.

MA:  And that’s the best part of Cruise’s performance for me.  I believed him in this role, and I bought that he could do the things he does in this movie.  While watching the film, I believed I was watching a guy named Jack Reacher, not golden boy actor Tom Cruise doing his shtick.

So, I have to admit, I enjoyed Cruise a lot in this movie.  He did a good job bringing Jack Reacher to life, especially since he’s not a huge hulking figure like the character in the book.  The other thing that worked for me is that while Cruise still looks great for his age (he’s 50) he’s looking a little older here, a bit more weathered and rougher around the edges, and it added to the believability of his character.

Cruise seemed natural in the role, and he never came off as arrogant, which I liked.  All in all, he makes for a very compelling Jack Reacher.

LS: The rest of the cast is pretty good, too. Especially Rosamund Pike as Helen.

MA:  Really?  I wasn’t as crazy about Pike.  I thought she ran hot and cold.  While I believed Helen was a smart attorney, she too often took a back seat to Jack Reacher and his unconventional methods. She spends most of the movie reacting to things he’s done, rather than doing things on her own.  Now, I realize this is a movie about Jack Reacher, but this is what I’m talking about in terms of Pike’s performance:  she didn’t flesh out Helen as much as I wish she had. Ultimately she’s there just to be rescued, and for a dedicated attorney who really wanted to keep her client off death row, I never really felt this passion.

I enjoyed her more, going back a ways, in the Pierce Brosnan James Bond flick DIE ANOTHER DAY (2002), in which she had a small but memorable role.

LS: I thought Pike’s character in JACK REACHER was believable as a woman who is not totally confident in what she is doing; who wonders if taking on this case was a mistake at one point. She is willing to let Reacher take over, because he is much more determined and not easily swayed when people try to put him off the scent. She’s not a particularly self-assured character, and I liked that. The fact that she does become sort of a damsel in distress toward the movie’s end was a little distressing, but it fit the storyline and didn’t strain believability The fact is, not everyone’s brave all the time, or indestructible.

Richard Jenkins as D.A. Alex Rodin, and German director Werner Herzog, as a mysterious man called The Zec, are also very good. I am a big fan of Herzog, as a director. He has made some cinema classics, like AGUIRRE, THE WRATH OF GOD (1972) and FITZCARRALDO (1982), both of which starred the great Klaus Kinski, and he has recently been making some documentaries as well, some of which have been quite popular, like GRIZZLY MAN (2005).  He has done some acting before, mostly in independent films like Harmony Korine’s movies JULIEN DONKEY-BOY (1999) and MISTER LONELY (2007), and he’s quite good here.

MA:  Jenkins delivers another excellent performance in what is becoming a regular occurrence, and Werner Herzog is very creepy as the villain The Zec.  The only problem I had with the character is when all is said and done, his villainous plans don’t seem anywhere near as dastardly as you would expect from a guy as scary as he is.  While Herzog creates a disturbing heavy in The Zec, the guy’s not exactly the most ambitious villain you’ll see in a movie.

LS: I agree. Herzog goes to all this trouble to make The Zec creepy as hell, and you think this is going to lead to some truly intense confrontation between him and Reacher at the end, and what happens is a bit of a disappointment. Although, what happens is believable behavior for both of their characters.

Even Robert Duvall shows up late in the film, as a former Marine named Cash who runs a shooting range, and who becomes Reacher’s unlikely ally.

MA: I thought Duvall was great.

And I also really liked Alexia Fast as Sandy, a young woman who crosses paths with Reacher when her not-so-smart friends are hired to rough up Reacher, and she’s used as bait.  Things don’t turn out too well for them.  But Fast makes Sandy both sexy and vulnerable, and you really feel for her, as does Reacher, in an almost paternal way.  For a small role, I thought Fast stood out as Sandy

LS: I agree, I liked Fast a lot as Sandy. I thought she would have a bigger role in the movie as it developed, but she’s in it just as long as she needs to be. She’s a stand-out here, and I want to see more of her. She really shines.

I also really liked Jai Courtney in the role of Charlie, who turns out to be the main villain here. Courtney previously played Varro in the Showtime series SPARTACUS: VENGEANCE (2010), and I think he is just as intense as Reacher by the end of this movie. Early on, you think he’s going to be a pushover, but he’s not at all, and there’s a great fight scene toward the end between him and Reacher.

MA:  Yes, that is a great fight scene, and I liked Courtney a lot too.

LS:  Aside from the acting, I also found the storyline pretty riveting.

MA:  Ditto.

LS:  The screenplay is by Christopher McQuarrie, who also gave us the scripts for the excellent THE USUAL SUSPECTS (1995), and another Tom Cruise movie, VALKYRIE (2008). McQuarrie also directed JACK REACHER, and this is his second time in the director’s chair (the first was THE WAY OF THE GUN (2000) starring Ryan Phillipe and Benicio Del Toro, which I also liked). The script and the direction here are quite good.

MA:  I agree.  JACK REACHER is a riveting movie, and one of the reasons why is the direction by Christopher McQuarrie.  There’s some pretty cool fight scenes in this one, and one helluva car chase sequence that was as good as anything we saw in DRIVE (2011) and reminded me of one of the all-time best car chases on film, the Steve McQueen movie BULLITT (1968) directed by Peter Yates.

LS: There are also some great scenes of dark humor, like whenever Reacher goes up against the local thugs. I actually laughed out loud a couple of times.

MA:   You’re right.  There were some genuine funny lines.

And while I enjoyed the script, in that Reacher has a lot of memorable lines, and the dialogue rings true throughout, I thought the plot grew more contrived as it went along.  The whole conspiracy aspect gets old, and then it plays the “someone you trust is really working for the bad guys” card.  While the character of Jack Reacher remains compelling throughout the movie, I can’t say the same for the plot.  I thought it grew predictable towards the end.

LS: The last 15 minutes or so are the weakest part of the movie in my opinion, and things tie up a little too easily after the complexity of the rest of the movie. But it’s not enough to ruin what came before it.

MA: While I liked the pacing for the most part, I thought at two hours and ten minutes that it ran a little long.  I could have used about 15 minutes shaved off this one.

LS: I’m always complaining about how movies seem to be longer than they need to be. It’s quantity over quality, with directors and studios thinking movies have to be long to seem worth the price of a movie ticket, often to the detriment of the movie itself. But, in this case, I thought JACK REACHER was fine at its length. There never was one part that I felt went on longer than it needed to. And I thought the pacing was good.

Except for some issues I had with the ending, JACK REACHER works, and it’s a good vehicle for Cruise, who clearly would like to turn this into a franchise (there are about 18 books so far in the series, so there’s a lot of possible material there).

MA:  And that would take him into his 70s, where he’d still be sporting dark brown hair and kicking bad guys’ butts.  Will Cruise ever show some gray hair?

LS:  One word of warning, however. Some audience members may have an issue with the overwhelming use of guns throughout the movie.

MA:  Guns in a movie?  Oh my!  It’s guns in real life they ought to be worried about.

LS: I agree, and I hesitate to bring this up. But in the beginning of the film, especially, where the sniper kills his victims, it may be too much for some viewers after the recent real-life tragedy in Connecticut. This will not be true of everyone, but I wanted to put it out there. As time goes on, and people see this movie later on DVD or Netflix, they’ll wonder what all the hubbub was about. It’s all about timing.

MA: Yeah, in that way, the timing for the release of this movie couldn’t have been worse.  In fact, it was supposed to open in some markets last week, but the producers delayed its premiere.

And yes, the opening scene is very jarring because of what just happened in Connecticut.  I found it painful to watch, as I’m sure a lot of other people will as well.

But moving away from real life for a moment, another reason this scene is so riveting is the way it’s shot by director McQuarrie.  It’s shot through the eye of the shooter, and as such it’s a very uncomfortable scene to watch, and yet, it’s not tasteless in terms of graphic violence.  I’m not even sure we actually see someone shot.  I think the shots occur off camera in quick clever cut-ways just at the dreaded moment.

LS: Yet it’s intense, and it works.

MA: This scene would have been tasteless if the movie were glorifying sniper shooting, but it’s not doing that at all.  Sure, there’s a lot of killing in this movie, but none of it is glorified.

For a PG-13 movie, I thought JACK REACHER did a good job cranking up the intensity.  In addition to this opening scene, there’s also a disturbing scene involving someone chewing his own fingers off.  Now, nothing is shown here, but it still works.  It’s compelling storytelling.

LS: That scene involves The Zec, and again, I was disappointed they built him up to be such a scary character and then pretty much don’t do anything with him.

I was surprised it was PG-13, because it didn’t seem to be sanitized or dumbed down, like a lot of movies are to reach a wider audience.  JACK REACHER has teeth. It’s a solid thriller, and a better movie than I expected.  I give it three knives.

MA:  I give it three knives as well.   I also liked it more than I thought I would. Jack Reacher is a character who I enjoyed watching, and I think I’d enjoy seeing him in other movies as well.  And Tom Cruise does a nice job bringing this guy to life.

Jack Reacher is a character who I enjoyed watching, and I think I’d enjoy seeing him in other movies as well.  And Tom Cruise does a nice job bringing this guy to life.

In addition to being a solid action movie, JACK REACHER is also a decent detective film, as it’s fun seeing how Reacher goes about piecing together clues and figuring out the answers to many of the movie’s questions.  The evidence against his friend is overwhelming, yet Reacher sees a something right away at the crime scene which raises a red flag for him, and what he sees, as he explains it, makes perfect sense to us the audience.

LS: As Reacher says several times in the movie, Barr is not his friend.

MA: Tom Cruise as Jack Reacher probably does more sleuthing than Robert Downey Jr. in the recent SHERLOCK HOLMES movies.

While I found the plot somewhat more contrived towards the end, the concluding segment to JACK REACHER, where Reacher has to come to the rescue of Helen, I found very satisfying.  It’s an exciting sequence.

That being said, things do get wrapped up neat and tidy by the end of the movie, probably too much for my tastes, although I didn’t have a major problem with this since it sort of  fits in with Jack Reacher’s style.  He’s a slick professional who never leaves traces of himself behind.  When he finishes a job, he makes a clean exit, disappearing into the night once more.

JACK REACHER is a very good movie, solid and compelling throughout, well worth a trip to the movies.

And on that note, we leave you.

LS:  Until next time.

(MA & LS exit in silence, as 26 candles illuminate the field behind them.)

—END—

© Copyright 2012 by Michael Arruda and L.L. Soares

Michael Arruda gives JACK REACHER ~ three knives!

LL Soares gives JACK REACHER ~three knives.