Archive for Dystopian Futures

THE PURGE (2013)

Posted in 2013, Bad Situations, Cinema Knife Fights, Controverisal Films, Dystopian Futures, Killers, LL Soares Reviews, Masks, Suspense, The Future, Thrillers with tags , , , , , on June 10, 2013 by knifefighter

By L.L. Soares (with a brief appearance by Michael Arruda)

The-Purge-2013-Movie-Poster(THE SCENE: Interior of a house at twilight. The annual Purge ritual is about to begin)

L.L. SOARES: Ah, it’s almost time for the Purge, Michael! I can hardly wait. (starts strapping on axes and handguns and chainsaws and hunting knives and chainsaws and shotguns and ice picks and rocket launchers).

MICHAEL ARRUDA; That sure is a lot of stuff.

LS: You bet. I take this holiday seriously. It’s the one time of the year I can get away with murder, literally, without it being a crime.

(LOUD NOISE is heard. The sound of metal crunching)

LS: What the hell is that? (contines to strap on things like battleaxes and longswords and maces and a gattling gun and poison darts and venomous snakes and the shiny ball from PHANTASM)

MA: Oops.

LS: What do you mean…Oops?

MA: I think I accidentally pressed the “Lock Down” button. Nobody can get in now.

LS: That’s okay. I can still go outside, right?

(MA does not respond)

LS: Right?

(MA twiddles thumbs)


MA: Well, you see, I’ve got my system on a timer. No one can disarm it until the Purge is over. So you can’t leave.

LS: You’re telling me I waiting all year long for Purge night so that I can commit whatever crimes I want and not be arrested, and on this momentous night, you have rigged it so I can’t leave your house?

MA: Bingo.

(LS straps on one last item, a little tiny Derringer, and goes to take a step forward, and collapses under the weight of everything he has strapped to himself.)

MA: Looks like you wouldn’t be able to make it ouside with all that stuff anyway.

LS: I could always downgrade!

MA: Look, you can’t join in on the Purge this year. Deal with it. In the meantime, we can make popcorn and review this week’s movie. Which just happens to be THE PURGE. Do you want to start?

LS (starts crying and stamping his feet): But I wanted to do some killing and pillaging!

MA: I said I was sorry.

LS: Okay, I’ll start the review. But you owe me one.

MA: You start. I’ll go put some popcorn in the microwave. (Leaves the room)

THE PURGE takes place is a dystopian future. Or is utopian? I guess it depends on your point of view. There’s low unemployment, a low crime rate, no war, and lots of prosperity. How did society achieve all this, you ask? Well, there’s some talk of “New Founding Fathers,” so I’m guessing a new kind of government has taken over. And part of this new regime is an annual ritual, the Purge, which states that one night a year—from 7pm until 7am the next morning—all crime is legal, including murder (of course, there’s a clause in there where certain government people with a clearance of 10 or higher are exempt and cannot be killed. Those guys always have to cover their asses). There’s also a restriction on the kinds of weapons you can use, I noticed, too. Well, enough about that….the idea is that if society can cut loose and go bonkers one night a year, it will purge everyone’s violent tendencies so they can go back to being model citizens again the rest of the year.

I actually found this premise really interesting. Finally, a horror movie about IDEAS. Most Hollywood horror movies are more concerned with body counts. Could a future like this ever really happen? Who knows. But it’s an interesting theory. I for one have always really dug the theme of civilization vs. savagery; it’s a theme that has even popped up in some of my fiction.

(Pulls out a copy of Freud’s Civilization and Its Discontents and thumbs through it)

Anyway, our protagonists are your typical American family, the Sandins. There’s the father, James Sandin (Ethan Hawke, most recently in last year’s above-average thriller, SINISTER) , mother Mary (Lena Headey, probably best known these days as the villainous Cersei Lannister in the megahit HBO series GAME OF THRONES), daughter Zoey (Adelaide Kane) and son Charlie (Max Burkholder). Daddy made big money selling security systems to rich families just like theirs in anticipation of the Purge. The family sits around the TV to celebrate the beginning of the news coverage—like it’s New Year’s Eve or something—and the big lockdown of their home. All seems well in SandinLand.

That is until Charlie sees a wounded man (Edwin Hodge) desperately seeking shelter from a gang of psychos. The kid can’t just sit by and let the guy be murdered, so he opens the doors to let him in. James immediately locks things up again, but there’s suddenly a stranger loose in their house. Meanwhile, up in Zoey’s room, her boyfriend Henry (Tony Oller) snuck into the house before lockup, so he can reason with her dad about their relationship (James thinks he’s too old for Zoey). His logic being “He can’t throw me out, he has to listen to me.”

Oh yeah, and there’s a gang of psychos outside, banging on the door to be let in. Seems that they were hunting the wounded man for sport, this being Purge Night and all, and since they’re completely within their rights to do it, they are rather ticked off that someone has spoiled their fun. So they offer the Sandin family a choice. Send the wounded guy out to them so they can finish having fun. Or they’ll force their way in and kill everyone.

The psychos look like preppy Ivy League college kids wearing creepy masks and carrying various weapons. They’re led by  led by a “Polite Stranger” (that’s what they call him in the credits) played by Rhys Wakefield. He’s so psycho, he kills one of his own friends for speaking out of turn during the negotiations. Polite Stranger is also the only one of the gang who removes his mask, so we can see his leering, preppy-boy face.

So what’s going to happen? Is the family going to track down that homeless guy and send him out to be butchered or will they stand and fight? Can the bad guys really get inside when the house has state-of-the-art security that James had installed himself? And what about Henry, will he finally earn James’s respect and the right to date his daughter?

All this and more will be revealed when you see THE PURGE.

(Sound of microwave beeping in another room)

LS: Sounds like Michael is almost ready with that popcorn. I’d really like to hear his opinion of this movie. Hey Michael, get in here.

Anyway, like I said before, I thought the concept of “The Purge” was kind of cool. This is not the first time we have seen something like this, of course. This film has elements of “siege on a house” movies like STRAW DOGS (1971) and ASSAULT ON PRECINCT 13 (1976) — both of which have been remade in recent years—the teenage thugs are reminiscent of the Droogies in Stanley Kubrick’s classic, A CLOCKWORK ORANGE (1971); the creepy masks and sense of mystery and menace are right out of THE STRANGERS (2008), and even the concept of the Purge itself is similar to the sacrifices made by the kids in THE HUNGER GAMES, (2012) by just as merciless a government (which in turn brings to mind Shirley Jackson’s classic story, “The Lottery,” and the Japanese movie BATTLE ROYALE, 2000). As I said, it’s not a completely new idea, but it’s a clever spin on it, and it works well here.

(Looks around)

LS: Where the hell is Michael with that popcorn? And he better have stocked up on beer, too.

(LS wanders down the hall and downstairs, heading toward the kitchen. When he gets there, there’s no sign of Michael. And the microwave is still beeping)

LS: Michael, where are yooooou?

That’s funny. (Pops open the microwave and starts eating the popcorn)

Anyway, back to the review. Director James DeMonaco previously gave us the drama LITTLE NEW YORK (2009), which also starred Hawke, and was previously a screenwriter, one of his scripts in fact being the 2005 remake of ASSAULT ON PRECINCT 13 (coincidence?). DeMonaco does a good job building suspense here, and maintaining it throughout. I thought this movie was a solid piece of filmmaking.

The score, by Nathan Whitehead, is also quite good, helping to set the tone and build suspense throughout. (Barry Lee Dejasu interviews Whitehead for his Scoring Horror column tomorrow).

The cast is very good, beginning with Hawke and Headey. I was on the fence about Hawke for a long time, but he’s been in a string of interesting films lately. And it’s ironic that the same day THE PURGE comes out, his other new film BEFORE MIDNIGHT, a smart romantic drama by Richard Linklater, which could not be more different, also opens in several cities. The man is on a roll.

Even the kids are good in this one, although I was cursing when Charlie unlocked the house so the wounded guy could get in. I know he thought he was doing the right thing, but to put his whole family at risk, I wanted to strangle the brat. His is the first of several moral decisions these characters have to make, though.

Rhys Wakefield is also really good as the “Polite Stranger.” He has an almost Joker-like quality to him that reminded me of the late Heath Ledger. Wakefield is suitably creepy here, and I wanted more of his character, and I wanted to know more about him. But there isn’t a lot of room for character development when everything hits the fan.

I also like how THE PURGE deals with issues of class and race. In this future of lower crime, there’s also more poverty, and the evening news debates whether the Purge was thought up to legally wipe out people that society didn’t want. And by society, they obviously mean “rich society.” The wounded man who is given sanctuary in the Sandins’ house is black, homeless and, judging by the dog tags around his neck, a veteran of one of those wars we no longer have in this alternate future, and yet he’s hunted like an animal by privileged preppies in Halloween masks.

I really enjoyed this one. It was well-acted, suspenseful, thoughtful and shined a light on the ugly side of human nature. That’s what good horror is supposed to do! Show us the sides of humanity we would rather not see.

I give this one three and a half knives.

Now would normally be the time when Michael pipes in with his lame-brained review of the movie, but he’s clearly not around. I bet he’s playing some kind of prank on me.

(A MAN enters the kitchen, wearing a creepy mask and holding a machete)

MASKED MAN: It’s Purge night. Time for you to meet your maker.

LS: Who the hell are you, and how did you get in here. And what did you do with Michael?

MASKED MAN: Who’s Michael? I snuck in through a cellar window that wasn’t covered up. And now, say good-bye (raises machete)

LS: And me without all my weapons. Seems like I left them all upstairs…Uh oh.

MASKED MAN: Here I come. Ready or not.

(LS grins and pulls out an AK-47)

LS: Except for this one. (Blows the guy away)

LS: Hey, that was fun. I hope more people sneak in!

(MA enters the room)

MA: What’s going on in here? What’s all the racket? I leave you alone for a couple of minutes and you’re already getting into mischief.

(Looks at the dead guy in the mask)

MA: How did he get in here?

LS: He said something about an uncovered cellar window?

MA: Uh, oh, I better go check that out.

LS: Hey, wait a minute. I just finished my review of THE PURGE. Do you have anything to add?

MA: I was so busy preparing for Purge Night, I didn’t have time to see it.

LS: You’re kidding me.

MA (shrugs): Oops.

LS (looks at the clock): Well, my review is over and there’s still 10 hours to go of the Purge. I just thought of something. I can’t go outside to cause mayhem, but that doesn’t mean I can’t have fun. I’m in here, after all, with you.

MA: Umm…what are you getting at?

LS: You’re it. I’m going to count to 100 and then come looking for you with a chainsaw. Won’t that be fun? So after you check the cellar, make sure to hide real good!

(MA presses the “UNLOCK” button)

MA: I suddenly remembered how to let you go outside.

LS: Hurray!

(LS then proceeds to strap on guns and knives and chainsaws and swords and rocket launchers and battleaxes, and then topples over when he tries to go outside)


© Copyright 2013 by L.L. Soares

LL Soares gives THE PURGE~three and a half knives.


The Geisha of Gore Takes On BATTLE ROYALE (2000)

Posted in 2012, Bad Situations, Colleen Wanglund Reviews, Controverisal Films, Cult Movies, Dystopian Futures, Geisha of Gore Reviews, Japanese Cinema, VIOLENCE! with tags , , , , , on February 29, 2012 by knifefighter

By Colleen Wanglund

Imagine, if you will, being a high school student on a bus for a class trip, only to wake up on a deserted island and told you now had to kill your fellow students. That is the premise of the 2000 film BATTLE ROYALE. Directed by Kinji Fukasaku, BATTLE ROYALE is based on a1999 novel of the same name by Koushun Takami. On March 20th of this year the film will finally be released on DVD/Blu-ray in North America….YAY! A quick bit of trivia—Kinji Fukasaku directed the Japanese scenes in the WWII movie TORA! TORA! TORA! (1970).

“At the dawn of the millennium, the nation collapsed. At fifteen percent unemployment, ten million were out of work. 800,000 students boycotted school. The adults lost confidence and, fearing the youth, eventually passed the Millennium Educational Reform Act, AKA the BR Act…”

BATTLE ROYALE takes place in an alternate-reality Japan. Shuya Nanahara (Tatsuya Fujiwara) is a high school student struggling to maintain some semblance of a normal life after his father’s suicide. It is the end of the school year and the class of 40 students is returning from a field trip. At some point the students are gassed and the bus is diverted to an evacuated island for the purpose of participating in the annual “game.” The class is awakened by their former teacher Kitano (played by the wonderfully quirky “Beat” Takeshi Kitano), surrounded by soldiers and informed of their situation. They have also been fitted with collars that will explode if the kids try to remove them….or if more than one has survived by the end of the game. The students are shown an orientation video that looks more like an MTV video, complete with a cute pop star-like young woman. The students have three days to kill or be killed and only one student is allowed to leave the island alive. Some of the kids rebel or refuse to participate, but they are dealt with immediately. In one instance they are provided with a demonstration of the collar’s effectiveness (ironically it is used on a student who had stabbed Kitano a year before, causing him to retire).

Along with two additional participants, Kawada (Taro Yamamoto) and Kiriyama (Masanobu Ando), the students are sent out at sixty second intervals with their personal possessions and a pack containing basic supplies and one other item. That additional item is either an obvious weapon or something that may prove to be a weapon. The first night sees many deaths among the kids, including a few suicides. Every six hours Kitano broadcasts a list of the dead over the island’s PA system, as well as the times and locations of “death zones”—areas that will cause the students’ collars to detonate if they are found to be in the zones. The collars also serve as tracking devices and they stop sending a signal when a teen wearing one dies.

Shuya has promised to protect Noriko (Aki Maeda) and they manage to successfully stay alive by hiding and staying out the way of the others. The two run into Kawada, who helps them out by giving them shelter in an abandoned house and tending to Noriko’s wounds. They spend a good amount of time talking and Kawada tells the teens that he is, in fact a survivor from a previous year’s battle. His wish was to survive again but get revenge on those who caused the death of the girl he loved. The house is eventually attacked and the three are separated, with Shuya being badly wounded. Shuya is taken to a lighthouse where a group of girls is hiding, but fear and mistrust get the better of them.

While all of this is going on, we are given glimpses of Mistsuko Souma (Kou Shibasaki), a student who proves to be one of the most dangerous players in the game, as is with Kiriyama. Mitsuko is the popular girl with the exclusive clique among the class but here on the island she has become a cold assassin, willing to kill anyone to get off the island. It is eventually revealed that Kiriyama volunteered for the battle because he thought it would be fun. He is as ruthless as Mitsuko. Meanwhile another student, Shinji Mimura (Takashi Tsukamoto) and two of his friends have a plan to hack into the military’s computers and blow up their compound on the island, effectively starting a revolution. Part of Mimura’s plan is successful, but not all. Shuya, Noriko and Kawada arrive at Mimura’s hiding spot too late to help them. Now they are on their own again, determined to leave the island together. Who ultimately will win the BATTLE ROYALE?

Okay, the first thing I love about this movie is that it stars Beat Takeshi. The man is amazing. He’s a director, actor, poet, television personality, screen writer, comedian, singer, painter and author. His movies are offbeat and Takeshi has developed quite a cult following both in and outside of Japan. He is a professor and owns his own talent agency and production company. The man is a dynamo. His biggest commercial success was his portrayal of the blind swordsman in ZATOICHI (2003).

….Sorry, back to the movie…..

BATTLE ROYALE, a dystopian parallel universe that condones teens committing violence against each other. It’s also a social commentary on how the younger generation seems to be turning its back on tradition. They no longer have the respect for their elders that previous generations had. We see this in the phone calls between Kitano and his daughter, although this is probably found most blatantly in the character Mitsuko. She is most assuredly self-centered and that is ultimately what makes her so dangerous. While we are given only glimpses into the teens’ characters prior to the battle, it is clear that Mitsuko is a bully. When she does finally meet her match, it is at the hands of someone who is just like her.

BATTLE ROYALE has not been released in the U.S. until this year, possibly due to comparisons with the Columbine tragedy. But note that this year also gives us the release of the similarly-themed HUNGER GAMES.

That said, the strongest characters in the film are the teens who do care about others. Shuya and Noriko manage to survive until the third day. They have taken care of each other and Shuya would probably die rather than allow that to happen to Noriko. So the message isn’t all bad. There is hope for redemption for this generation of teens.

When BATTLE ROYALE opened in Japan, it was a box office success, despite being given a rarely used rating of R15 (no one under the age of 15 admitted). While the graphic violence against teens seems exploitative, there is clearly a message of disillusionment with society in general, as well as a fear of the destruction of civil order. After all, it isn’t only that the kids are forced to kill each other off in a “SURVIVOR-with-weapons” scenario. It is the fact that adults distrust and dislike the teens so much that they force them into the battle for their very lives. They are given the ultimate punishment for defying their elders. BATTLE ROYALE is Darwinism at its dirtiest….only the most murderous will survive. It can also be considered an allegory on the competitiveness in Japan—both in school and in the workforce. At some point every society begins to fracture. BATTLE ROYALE shows us the extreme.

BATTLE ROYALE is, in my opinion, a good movie. The screenplay hits some of the points made in the book, although in a more exploitative way. There is quite a bit of violence and the SFX guys did a fantastic job but, considering the material, it is far from gratuitous. The young cast does a great job, especially Tatsuya Fujiwara as Shuya (who also starred in the DEATH NOTE films), and the main characters are fairly relatable. BATTLE ROYALE created a stir in Japan’s Parliament due to its violence but it is a memorable film for anyone who has seen it, and I highly recommend it.

© Copyright 2012 by Colleen Wanglund

Meals for Monsters: SOYLENT GREEN (1973)

Posted in 2011, Apocalyptic Films, Dystopian Futures, Jenny Orosel Columns, Meals for Monsters, Science Fiction with tags , , , , , on December 27, 2011 by knifefighter

By Jenny Orosel

Food-based entertainment has seen a surge in popularity in the past few years. From there being two cable stations devoted to eating (not to mention the slew of reality shows centering on edibles), to movies like JULIE AND JULIA (2009) or even earlier ones like BABETTE’S FEAST (1987), and even this column, talking about food is the latest rage. All these things owe a lot to one forty year old foodie flick—SOYLENT GREEN (1973).

SOYLENT GREEN a foodie flick? If you think about it, that makes perfect sense. Based on a novel by Harry Harrison (Make Room! Make Room!) and set in 2022, the world has become overpopulated and our resources have been pushed to the breaking point. Fresh food is an endangered species, and the common man must subside on cracker-like edibles from the Soylent company, green being the tastiest and most desired. But the ingredients have to come from somewhere….The story is told from the perspective of a police detective (memorably played by Charlton Heston) investigating the murder of a wealthy businessman. He was so rich he could afford things like produce and liquor. The detective is just as concerned with snagging some of this food as he is with finding out who killed him and why.

One of the first things Heston’s character ingests is some bourbon lifted from the victim’s apartment. Now, you could just do shots of bourbon with the meal, but I have a different suggestion:

1 tsp sugar
3 dashes bitters
½ shot water
2 shots bourbon

Mix the first three ingredients in a glass until the sugar is dissolved. Add the bourbon and ice to taste. Drink and enjoy.

The detective then confiscated some fresh food from the victim, and eventually from the girlfriend of the man’s bodyguard. I took it as a challenge to come up with a dinner from these ingredients. The food he found: celery, tomatoes, apples, onions, lettuce, beef and strawberry preserves. There’s also the previously mentioned bourbon. The only non-movie items added here are salt and pepper, as well as bitters (but since you’ve already got it on hand from the cocktail, might as well use it).The lettuce, tomato and celery make a nice salad, and the beef works well as the dinner’s centerpiece with some sautéed onions on top. But what about the rest of the ingredients? They make a great sauce for the meat and dressing for the salad.

1 cup strawberry jam
½ cup bourbon
½ apple, chopped into small pieces
5-10 splashes of bitters, to taste.

Mix the four ingredients in a small saucepan. Cook over medium heat for about an hour, stirring occasionally, until the jam has melted and the bourbon cooks down (NOTE: be very careful if this is being cooked on a gas burner as alcohol can easily ignite when near flames. Not that I’ve learned that the hard way).

Meanwhile, take a 1 ½ to 2 pound London broil cut of beef and let it sit at room temperature for about fifteen minutes. Set the oven rack in the middle and broil the meat for about ten minutes on each side for medium-rare. Let sit for five minutes before slicing.

While the second side of the meat cooks, sauté half an onion, sliced thinly, with some olive oil and salt until the onion browns a little and becomes translucent.

Serve sliced meat alongside the salad, topped with onions and strawberry sauce. It should feed four easily, or two extremely hungry people.

You can’t serve a SOYLENT GREEN themed dinner without making some Soylent Green for your guests. I didn’t want to use the actual ingredients used in the movie (in case you haven’t seen it yet, I won’t spoil it. However, it is the basis of one of the most quoted last lines in sci-fi flick history). Instead I made dessert cookies.

2 sticks butter, softened
½ cup sugar
6 green tea bags
2 cups flour

Mix the butter and sugar until fluffy. Cut open the tea bags and empty into a food processor. Grind up into a fine powder. Add the tea and flour to the butter/sugar mixture. Once a dough is formed, mold into a long rectangular log, wrap in plastic wrap, and chill in the refrigerator at least a half hour until it firms up.

Preheat the oven to 325. Line a cookie sheet with parchment paper (it makes clean-up a lot easier). Slice the cookie log into ¼ inch slices. Bake about 15-20 minutes, or until cooked. Once they’ve cooled enough to handle, remove from pan and enjoy!

SOYLENT GREEN was meant to be a cautionary tale about the dangers of overpopulation. If they had focused on the crowding of the cities and lack of space left for the residents, people would have shook their heads at how bad that would be. If they had focused on the lack of energy and resources, people would have thought about how that world would suck to live in. But by focusing on the food and what was left to eat, audiences were horrified. Yes, streets covered with homeless people and a lack of power is bad, but if all the food you’re given is disgusting, then people stand up and take notice.

© Copyright 2011 by Jenny Orosel